Her male dancing partner is Nicolas Vleughels, a Flemish painter, who was Watteau's friend and landlord. Les fêtes vénitiennes , oprindeligt kaldt Dansen , (i 1718) udspiller sig i en park af en type, som først nyligt var begyndt at anlægges. The painting acquired its present title from an engraving made after it, published in 1732.Watteau was one of the most original and inventive artists of the eighteenth century. This Jean-Antoine Watteau Les Fêtes vénitiennes artwork is hand painted on canvas. Jean Antoine Watteau (Valencijn, 10 oktober 1684 – Nogent-sur-Marne, 18 juli 1721) was een Franse kunstschilder uit de rococoperiode. The title of the picture, Fêtes Vénitiennes, probably refers to an opera-ballet by the French composer André Campra which was first performed in 1710 in Paris. Stijl. In these uncertain times we need your support more than ever. The pastoral setting emphasizes the essential innocence and spontaneity of the participants, who are unafflicted by the stiffness imposed by the conventions of formal society.

In any event, it is unlikely that this composition derives from any specific source and it seems that the artist’s intent was to evoke a dreamlike atmosphere with the charming setting, the fanciful costumes and the complex play of meaningful gestures and glances among the company.The picture is in excellent condition, allowing us to appreciate Watteau’s precise yet very fluid handling of paint and the silken delicacy of his colour. These were scenes in which exquisitely dressed young people idle away time in dreamy, romantic, pastoral settings. La Fête dAmour, vers 1719, Jean Antoine Watteau, (Dresde, Gemäldegalerie). Le rococo un nouveau style de vie aristocratiqu… Les fêtes vénitiennes , oprindeligt kaldt Dansen , (i 1718) udspiller sig i en park af en type, som først nyligt var begyndt at anlægges. Others huddle together in conspiratorial groups and include, at the left, a woman who seems to recoil from the advances of a young man. Watteau traite de façon semblable diverses matières, aussi bien le taffetas que l'eau, les personnes que la statue, le feuillage que les boucles, réussissant ainsi à donner une unité au tableau1. Antoine Watteau brought the fête galante to its highest point when he created a mysterious, melancholy, dreamlike world populated by well-dressed people who flirt and play gracefully in parklike surroundings. Watteau følte en forkærlighed for at genspejle sine egne idealer for et forfinet liv. Watteau's geboortestad, het Henegouwse Valencijn was in 1678 door de Fransen veroverd. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Ce tableau appartient au thème des fêtes galantes qui avait été défini comme nouveau genre artistique par Watteau lui-même. It has been suggested that the depiction of the two friends eyeing the same dancer may have had some private significance for the artist. Les Fêtes vénitiennes (The Venitian Festival) by Jean-Antoine Watteau - MyStudios.com - Galleries of famous artists - old masters & contemporary. The other figures are based on drawings Watteau made from his direct observations of contemporary society. Word's largest virtual museum.

Les Fêtes vénitiennes, vers 1717-1718, Jean Antoine Watteau, (Édimbourg, National Gallery of Scotland). For general enquiries regarding your visit or gallery services:

We offer original oil painting, stretched canvas and framed art, but we do not offer serigraph,poster,print,lithograph and giclee. Watteau mingles reality and fantasy in a work whose meaning resides in its playful yet elusive mood.Watteau, celebrated for his colourful and delicately sophisticated work, introduced a new type of subject into eighteenth century French painting: the fêtes galantes. Fêtes Vénitiennes 1718-19 Oil on canvas, 56 x 46 cm National Gallery of Scotland, Edinburgh: Antoine Watteau brought the fête galante to its highest point when he created a mysterious, melancholy, dreamlike world populated by well-dressed people who flirt and play gracefully in parklike surroundings. Les Fêtes vénitiennes (ou, dans l'orthographe originelle, Les Festes vénitiennes) est un opéra-ballet du compositeur français André Campra.. L'opéra-ballet consiste en un prologue (omis parfois ultérieurement, écourté ou remplacé) et trois entrées (quatre ou cinq dans les versions ultérieures). By registering in the website you will be able to access extra free functionality. Watteau… It is not known whether Watteau himself used this title, since it first appears on an engraving after the picture which was not published until 1732 – after the artist’s death. A new term, fête galante, was coined by the French Academy to describe this type of painting. Les fêtes vénitiennes. The second prologue is just a shortened version of the original one.Professor Anthony writes that, according to "Ballard’s printed editions", the version given at the 51st performance on 14 (and not 10) October 1710 had five entrées, including Marcel was not a professional singer, but a first-rate member of the Ballet, evidently considered fit to perform a dancing master.This entrée, which also includes, as a play within a play, another miniature opera, (framed: 68.20 x 59.00 x 8.00 cm) The central dancer may be the leading actress Charlotte Desmares, who was mistress of the Duc d'Orleans. Les festes vénitiennes ("Venetian Festivities"), also spelled Les fêtes vénitiennes, is an … A new term, fête galante, was coined by the French Academy to describe this type of painting.Among the various figures in this picture there are three that command our particular attention; at the left, a man in oriental costume who strikes a self-confident pose; his dancing partner, a beautiful young woman who dominates the centre of the picture; and at the right, a seated figure who looks on as he provides the accompaniment with a musette, a type of small bagpipe. Through his collaboration with Danchet, librettist of Les Fêtes Vénitiennes, he perfectly gratified the hedonist preoccupations of the Regency period in France: comic invention, a pragmatic approach to the art of love, biting observation of social mores, and incisive criticism of the Parisian theater milieu (particularly in the two entrées Le Bal and L’Opéra).

Certains voient dans le joueur de cornemuse un autoportrait de Watteau.

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